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With Crash, the Puscifer Kansas city nov 18th 2022 the midland theatre mo poster shirt What’s more,I will buy this final album in Charli XCX’s deal with Atlantic Records, the pop artist said she wanted to embrace “everything that the life of a pop figurehead has to offer in today’s world—celebrity, obsession, and global hits.” Less a contractual obligation than an all-out rager capping off her major label era, Crash effortlessly synthesizes Charli’s commercial instincts with her more experimental impulses. It plays like a mixtape of lost ’80s and ’90s dance-pop, with nods to everyone from Janet Jackson (in the title track) to New Order to Prince. If Crash is Charli’s so-called “major label sell-out” record, it’s a helluva way to go out. —K.B. I first discovered Charlotte Adigéry in 2019 via “High Lights,” a smart, sexy, deliberately tongue-in-cheek lament for her obsession with switching up her wigs over a finger-snapping electro-pop beat, before she fell off the radar for a couple of years. So it was a pleasure to see her return earlier this year with her debut album, made in collaboration with Bolis Pupul, as well as Adigéry’s long-time coproducers Soulwax, the pioneering electroclash Belgian DJ duo. Titled Topical Dancer, it’s a subversive skewering of both racism and the self-righteousness of identity politics, all laid over beats so infectious they could be added to a CDC list. On “Blenda,” Adigéry sings “Go back to your country where you belong / Siri, can you tell me where I belong?”—but with its funky, squelchy bassline, you only want to dance. Where other pop artists attempting to fold politics into their music feels desperately clunky, Adigéry and Pupul’s absurdist vision slips down like an ice-cool cocktail. —L.H.

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Have you heard? Hardcore is having a moment—or what’s sometimes called post-hardcore is: meaning big emotionally piquant punk music that balances pummeling assaults with hooky liftoffs. Turnstile are the Puscifer Kansas city nov 18th 2022 the midland theatre mo poster shirt What’s more,I will buy this heroes of this scene, but I prefer Drug Church, a five-piece from Albany, New York, whose fourth album, Hygiene, is the perfect on-ramp to the genre (as is their 2018 album Cheer). Listen to “Million Miles of Fun” or “Super Saturated”—tracks on Hygiene in which crystalline melodies are somehow carried by squalling crunchy guitars, songs that give you a rush even as the lyrics conjure workaday malaise. If you have a tolerance for noise, Drug Church is the angry, exhilarating sound of right now. —Taylor Antrim, deputy editor